
An Evening With Chris Thile of Nickel Creek and Punch Brothers
Chris Thile’s "Laysongs" is his first truly solo album: It’s just Thile, his voice, and his mandolin, on a set of nine new tracks, combining original songs with three wisely chosen covers that contextualize and banter with his ideas.
An Evening With Chris Thile of Nickel Creek and Punch Brothers
Chris Thile’s "Laysongs" is his first truly solo album: It’s just Thile, his voice, and his mandolin, on a set of nine new tracks, combining original songs with three wisely chosen covers that contextualize and banter with his ideas.
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DateOct 3, 2021
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Event Starts8:00 PM
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AvailabilityOn Sale Now
Event Details
MacArthur Fellow and Grammy Award-winning mandolinist, singer and songwriter Chris Thile, who the Guardian calls "that rare being: an all-round musician who can settle into any style, from bluegrass to classical,” and NPR calls a "genre-defying musical genius," is a founding member of the critically acclaimed bands Punch Brothers and Nickel Creek. For four years, Thile hosted public radio favorite Live from Here with Chris Thile (formerly known as A Prairie Home Companion). With his broad outlook, Thile creates a distinctly American canon and a new musical aesthetic for performers and audiences alike, giving the listener “one joyous arc, with the linear melody and vertical harmony blurring into a single web of gossamer beauty” (New York Times).
Most recently, Thile recorded Laysongs, out June 4, 2021 on Nonesuch. The album is his first truly solo album: just Thile, his voice, and his mandolin, on new recordings of six original songs and three covers, all of which contextualize and banter with his ideas about spirituality. Recorded in a converted upstate New York church during the pandemic, Laysongs’ centerpiece is the three-part “Salt (in the Wounds) of the Earth,” which was inspired by C.S. Lewis’s The Screwtape Letters. The album also features a song Thile wrote about Dionysus; a performance of the fourth movement of Béla Bartók’s Sonata for Solo Violin; “God Is Alive, Magic Is Afoot” based on Buffy Sainte-Marie’s adaptation of a Leonard Cohen poem; a cover of bluegrass legend Hazel Dickens’ “Won’t You Come and Sing for Me,” and “Ecclesiastes 2:24," original instrumental loosely modeled after the Prelude from J.S. Bach’s Partita for Solo Violin in E Major.
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